Notes related to Arte contemporáneo

The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.

The museum explores the construction of the region’s identity through a major group exhibition and solo presentations by Jesús Soto, Damián Ortega, Sandra Gamarra, La Chola Poblete, among other artists.

In an image-saturated present, Francisco Lemus proposes new relationships through a selection of works that appropriate space to assert their presence in the face of contemporary volatility.

The exhibition sketches an intimate map where rituals, organic materials, and personal narratives intertwine to question the social norms that shape our identities.

Youth, performance, and permanence: Argentina’s most important art fair has opened at Centro Costa Salguero and will run until August 31.

By Violeta Lozada

The Armory Show 2025 returns to the Javits Center in New York, reaffirming its status as one of the most influential events in modern and contemporary art since nineteen ninety-four. Every year, the fair brings together leading international galleries to showcase innovative works, with a strong focus on curatorial excellence, engaging public programming, and bold artistic activations.

The contemporary art fair organized by gallerists opens to the public in Buenos Aires’ renovated downtown featuring “resident” and “guest” galleries as well as international participants.

Now in its 20th edition, the competition invites artists and designers of all nationalities and artistic backgrounds to participate for cash prizes, international residencies, and the opportunity to exhibit at the Arsenale Nord in Venice in 2026. Application deadline: September 10, 2025.

The interdisciplinary art center located in New York presents work shaped by the experience of relating to the foreign in order to build a unique identity.

Apexart presents the work of seven Latin American artists who, through meticulous and repetitive handcraft processes, transform labor into an act of resistance, joy, and the creation of possible futures.

The Museum of America is hosting an exhibition of paintings by Juan Carlos Santoscoy (Guadalajara, Mexico, 1973) in its La Tapada gallery, open until the end of the month. Titled Algoritmos del caos (Algorithms of Chaos), the show features a selection of the artist’s most recent large-scale works, which engage with pressing themes in contemporary art such as global warming and the overexploitation of natural resources.

Americas Society presents Amazonia Açu, an exhibition that explores the cultural, historical, and spiritual diversity of the Pan-Amazon region through contemporary and Indigenous perspectives.

The Museum of Modern Art will host the most extensive retrospective devoted to the artist in the United States, on view at MoMA from November 10, 2025, through March 28, 2026.

The Chilean gallery Casa Varas hosts Lincura’s provocative proposal: a new way of looking at the “exotic” —and a new way of looking into the mirror.

Fragmenting Obsolescence. Silent Spring explores new ways of observing matter and time, objects and their durability, and the relationship between extinction and obsolescence.

At the Haus for Media Art Oldenburg, the artist turns movement across territories into an act of reciprocity, care, and deep listening. 

The Gulbenkian Modern Art Center in Lisbon presents Entre os vossos dentes (Between Your Teeth), an exhibition showcasing 80 works by Adriana Varejão (Rio de Janeiro, Brazil, 1964) and Paula Rego (Lisbon, Portugal, 1935 – London, United Kingdom, 2022), reflecting the production, themes, and interpretations of these two artists from different generations.

From different disciplines and territories, the invited artists propose the Biennial as a space of crossing, listening, and shared transformation.

Pinta Asunción Art Week, formerly known as Pinta Sud | ASU, will take place this year from September 10 to 13, marking its fourth edition. With its extensive contemporary art and cultural programming spread across the city, the event invites attendees to discover an ever-growing artistic scene alongside Paraguay’s unique cultural, culinary, and tourism traditions.

What does it mean to be hospitable, make alliances, or navigate conflict in the sphere of contemporary art? Five European nonprofit art spaces—La Escocesa, OFF-Biennale, < rotor >, Shtatëmbëdhjetë (17), and tranzit.cz—present a new publication for cultural workers, curators, and artists, that seeks to answer these questions.

The Andalusian Center of Contemporary Art (CAAC) presents Sensemayá. Cánticos para matar a la Culebra (Sensemaya. Chants to kill the snake), the first solo institutional exhibition in Spain by Claribel Calderius (Havana, Cuba, 1986). Conceived specifically for the San Bruno Chapel, the project is a site-specific intervention that draws on the space’s historical and spiritual resonance—qualities that align seamlessly with the symbolic universe of the Cuban artist.

Gonzalo García Callegari presents his twentieth solo exhibition at the Inca Garcilaso Cultural Center in Lima. In the wake of Peru’s bicentennial of independence, he invites us—with his signature dark humor—to question the unfinished ideals of national emancipation.

Inspired by the visionary spirit of Walter and Nicole Leblanc, the Foundation launches a new programme of exhibitions, residencies, and events, reaffirming its commitment to artistic inquiry, international dialogue, and critical engagement with the urgencies of our time.

The artist and the gallerist were drinking mate on Fleming Avenue in Martínez, in front of the gallery, trying to hold onto the warmth of a cool autumn sun. That simple, everyday, and sincere image foreshadowed the exhibition at Departamento 112.

The first edition of Pinta Panamá Art Week was a collective celebration that transformed the city into a major stage for contemporary art and Central American culture. The event welcomed over 650 attendees at its official opening and thousands of visitors throughout the week, with daily activities including exhibition openings, talks, guided tours, and urban experiences. The week was marked by a strong commitment to strengthening and valuing local identity.

On May 31, the exhibition Motion of a Nation opens, featuring artists from diverse backgrounds and nationalities who, through their works, reflect on the ills, distortions, and interpretations of a symbol that, while functioning as an element of recognition, can also represent emptiness, borders, and limitations to freedom.

MAM Chiloé opens the sixteenth edition of Vutamuseo, a cycle of exhibitions that celebrates the diversity of artistic perspectives through five proposals that intertwine color exploration, pedagogy, photography, and reflections on memory and environment.

As part of Pinta Panamá Art Week, Lo que sueña toda vida takes place—an exhibition project that reflects on ways of living in the Central American country. Curated by Juan Canela and Emiliano Valdés, the program features a series of artistic actions by Felipe Gómez and Jonathan Harker, the Enlaces Program, Libertad Rojo, and Humberto Vélez.

Two spaces that have sought to foster the growth of local art since their inception are part of Pinta Panamá Art Week, where creative energy is palpable. With proposals that combine exhibition, reflection, and audience development, both galleries present themselves as driving forces in an expanding scene shaped by collective work, experimentation, and a shared desire to strengthen the cultural fabric.

The Casa de México Foundation in Spain is hosting, through the second week of June, a must-see exhibition from the Jumex Collection—one of the most significant contemporary art collections in Latin America. Titled Éramos felices y no lo sabíamos (We Were Happy and Didn't Know It), the exhibition revisits the vibrant artistic scene of 1990s Mexico, offering a re-reading of one of the most dynamic periods in the country’s contemporary art history.